From today's fair edition: MIAMI. A panorama of paintings greeted guests at yesterday’s preview of Art Basel Miami Beach (ABMB), with two-dimensional works dominating the booths near the VIP entrance and beyond. Michael Werner Gallery (B1) features work by artists including Georg Baselitz and Enrico David; Galerie Gmurzynska (B2), with an Art Kabinett booth, has fire paintings by Yves Klein and oils by John Cage; and Acquavella’s stand (C4) is hung with paintings by Twombly, Picasso and Freud... READ MORE  Before fairs, most dealers send out images of the works they will offer Arman family divided Split over museum loan A preview of a feature length documentary that explores four decades of the artist's performances is being shown tonight An analysis of the mission statements of leading US art museums yields some surprising results Buckminster’s pioneering eco dome rises again One of only three prototypes of the inventor’s “autonomous dwelling machine” comes to the Design District Miami diary: Activist apparel Amid the somewhat staid and static sculpture-park format of Art Public, a refreshingly active—and indeed activist—element is provided by Andrea Bowers and Olga Koumoundouros all articles  video The City of Miami Beach authorities have been instrumental in the acquisition and installation of a piece of public art by German artist Tobias Rehberger. The lighthouse at South Point is one of many public art projects in progress and it cuts a striking silhouette against the Miami skyline. Unveilled during the tenth Art Basel Miami Beach, The Art Newspaper TV's reporter Anny Shaw caught up with Rehberger and Dennis Leyva, the Art in Public Places coordinator, at the site of the new installation. Al fresco filmworks have their premiere at Art Video Nights Art Video features film and video works by international artists, presented by the galleries of Art Basel Miami Beach. Organised in association with London's Artprojx, Art Video is being screened for the first time in the SoundScape Park, on the 7,000 sq. ft outdoor projection wall of the New World Center. The Art Newspaper’s reporter Anny Shaw caught up with David Gryn, the director of Artprojx, about the growth of — and appetite for — video art. | | |
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