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| | Thursday 28 March 2013 | View in browser | | News | Museums | Market | Conservation | Exhibitions | Jobs | Comment | In print | | | | | | In this week’s edition | news Biennial embraces divergent ways of seeing the world, despite growing censorship in the Gulf Questions about attribution remain over The Cardsharps, once owned by the late Italian Baroque specialist Denis Mahon Zurich court bans publication after church members file legal complaint Swiss institute's carbon-dating fails to answer question of attribution More in news in the print issue: - Canada under pressure over potential Nazi loot
- Restitution to get harder in California?
- City of London altarpiece in unholy row
Attendance figures survey 2012 Dominance of Modern and contemporary art shows challenged by Dutch Old Masters as they tour the world, starting in Japan Museums are feeding an addiction for shows that put works of art at risk and allow visitors no time to reflect We've ranked the top ten shows around the world in 2012 according to category (Impressionist and Modern art, photography, contemporary art, antiquities, etc) More in attendance figures special report in the print issue: - Corporate sponsors play it safe
- How long can Brazil’s exhibition boom last?
- Institutions save money by looking closer to home
museums UK museums’ close ties questioned after poet imprisoned for 15 years Amid reports of turmoil, Colin Bailey from the Frick Collection in New York to take over the helm of the De Young and Legion of Honor museums More in museums in the print issue: - Turkish mosque conversion raises alarm
- New kid on Mexico City’s millionaire row
- Benin bronzes to be returned—on loan
market New York dealer says she is “sick” of the current system Access to new collectors and a solid programme of commissions, talks and events have turned this fair into a fully fledged member of the international circuit More in market in the print issue: - Hirst catalogue tots up 1,400 spots
- Painting owned by Hitler soars at auction
- Companies reach agreement on Beijing freeport
exhibitions  “De l’Allemagne” is a highly ambitious and intellectually challenging exhibition that seeks to supply an integrated history of German art during the 19th and early 20th centuries. This is a tough assignment. The German-ness of German art is hard to pin down. The stories of French or Dutch or Spanish art can rely on pretty homogeneous national traditions and fairly cohesive narratives. German art, in many ways reflecting the uneven political developments of the German-speaking lands, is fraught with disparate, divergent, local, regional and confessional divisions, rather like a multi-themed fugue. Faced with this complexity, the organisers have proposed the admittedly problematic Kantian notion of “Kultur” (culture) to provide a narrative strand to string together artists and their works over a period of 140 years… READ MORE
reader offer Art Revolution Taipei is offering a "Buy One Get One Free" promotion for tickets bought before 30 April. Do not miss Art Revolution Taipei, Asia's world-class art fair (3-6 May). For more information, visit www.arts.org.tw
courses Skate's Art Market Research launches Online Art Business Education | | 
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