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| |  | | Thursday 20 December 2012 | View in browser | | News | Museums | Market | Conservation | Exhibitions | Jobs | Comment | In print |  | | ON SALE NOW | | | In December's print edition: | - Derry-Londonderry: plenty of history but not much art
- Abu Dhabi's universal museum vision takes shape
- Historic houses threatened as owners face bigger tax bill
Happy holidays from all at The Art Newspaper. Our weekly newsletter will return on 10 January See all the headlines from this month’s print edition | | Subscribe now to get more than 100 articles only in the print edition. | | | | | In this week’s edition | NEWS Local artists’ group Raqs Media Collective to organise the programming for events in 2014 Artist-curators of Kochi-Muziris Biennale overcome fundraising setback
MuseumS Henri Loyrette will leave next April after 12 years at the helm Opponents disrupt meeting of influential right-wing group
market The spotlight on how much corporation tax is paid by UK companies is turning towards art dealers
Conservation University of Oslo building project could be damaging recently restored paintings
books Recommended reads, old and new, from the great and the good of the art world
exhibitions  The Museum of Modern Art is staging what Leah Dickerman, the museum’s curator of paintings and sculpture, describes as one of the largest exhibitions on abstract art ever staged. More than 400 works will illustrate “the founding moment of what we know as Modern art”, says Dickerman, who has co-organised the exhibition, which opens this weekend. The period in which abstract art developed represents “as important a moment of rewriting the codes of cultural production as has been seen since the Renaissance”, Dickerman says. “You couldn’t make an abstract picture in 1910. Picasso came to the brink and rejected it as dangerous… Kandinsky could theorise but he couldn’t paint an abstract picture... READ MORE video  David Gryn, the curator of the Art Video section at Art Basel Miami Beach, and Edward Winkleman, the co-founder of the Moving Image video art fair, discuss how to present feature-length videos at fairs and the rise of the cinematic experience in making and showing art films. | | 
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